View more @ http://lostfish.free.fr/
Monday, March 31, 2008
Thursday, March 27, 2008
Milk
Remind me Ghost in the Shell. Those work are very well done. But I don't know her real name. Go to http://www.myspace.com/logyu to view more her work.
Wednesday, March 26, 2008
Jeff Hein
View more his artwork @ http://www.jeffreyhein.com/ and his blog @ http://jeffhein.blogspot.com
Tuesday, March 25, 2008
Monday, March 24, 2008
France Brassard
Lovely polar bear! View more at http://www2.childrensillustrators.com/illustrator.cgi/Brassard
Friday, March 21, 2008
Peachbeach
Peachbeach is an Art and Designcollective from Berlin. Three young, dynamic and good looking Humans, who like to express themselves by using methods of formcomposition. View more @ http://www.peachbeach.de/
Wednesday, March 19, 2008
Tuesday, March 18, 2008
Monday, March 17, 2008
Saturday, March 15, 2008
André Cadere
I really admire his work. It reminds me of simplicity and peace. I try to find his website, but unfortunately I can't find. Below his brief profile:
André Cadere (1934-1978 in Paris, France) left behind an oeuvre consisting of about 180 Barres de Bois of different lengths. The Barres de Bois consist of wooden segments, all the same size and painted in different colours; their length always relates to their radius. The individual segments were made by hand, drilled, painted and fitted together.
Cadere worked to a system of numerical order that he had developed himself, containing errors as a secret code. Cadere developed his Barres de Bois as mobile works of art in 1970, something that he could take everywhere with him and use at any time, anywhere. They are legitimized as works of art by being positioned in the context of art, and they can equally well be withdrawn from it.
He travelled all over Europe with his bars, and on to New York, turning up at openings by artists who were close to him like Robert Ryman and Barnett Newman, or at Biennales, uninvited or invited, and usually unwelcome. He would either keep the Barres de Bois in his hand, like a staff, or put them down in a carefully chosen place. Despite the simplicity of the resources he used, the bars developed such a strong presence that that they marked out an unmistakable territory of their own and made an impact on the exhibition.
Cadere wanted his interventions to create a disturbance, thus starting arguments about the art system, which he saw as representing other social systems.
(source from Daimler Art Collection)
Friday, March 14, 2008
Thursday, March 13, 2008
Wednesday, March 12, 2008
Monday, March 10, 2008
Friday, March 7, 2008
Thursday, March 6, 2008
Ritxi Ostmariz
He is a young Art Director and Designer. View more @ http://iikki.com/ and his blog @ http://www.iikki.com/blog/
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